Get all 9 Divine Weeks releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of We're All We Have, Fight for Love (single), Last Warning (Silverlake Demos '90-'92), Holes (2017 Remix) b/w See Me, Feel Me (Live 5/21/16), Never Get Used To It (2017 Remastered Deluxe Edition), Through and Through (2017 Deluxe Edition), Tonight Is The Night To Dream New Dreams - Live 4/10/04, We Did It For Love (Live 2/11/17), and 1 more.
Divine Weeks Los Angeles, California
Named one of the 15 best unsigned bands by the L.A. Times, Divine Weeks were signed to Dream Syndicate's Steve Wynn's Down There label releasing debut "Through & Through" in '87. In '91 they released "Never Get Used To It." After a lengthy hiatus, singer Bill See's memoir "33 Days" was the catalyst to reforming & releasing "See Those Landing Lights" & the politically charged "We're All We Have" ... more
If you like Divine Weeks, you may also like:
no place that feels like
by Ellis
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow.
go to album
Walk Thru Me
by The Folk Implosion
Lou Barlow & John Davis return as Folk Implosion, with 10 more songs that are sweetly tuneful.
go to album
The London band's new album is a vibrant postcard from southern Italy, boosted by brass, strings, and pizzica percussion from local players.
go to album
Terns in Idle
by Rain Recordings
This collaborative project offers a fresh twist on classic indie sounds of the early 2000s with hooky choruses and quirky instrumentation
go to album
Underwater Over There
by Unwed Sailor
This Tulsa group's shimmering, classic dream pop has the sound of iconic touchstones like the Pale Saints and New Order.
go to album
Wrapped In Cellophane
by Vessel
Crisp drumming cuts through the tangle of interwoven instrumentation on this cerebral yet groovy post-punk record.
go to album
This creative San Francisco guitar band melds trip hop, krautrock, My Bloody Valentine-esque noise, and jangle pop hooks.
go to album
